Cat Spilman: Days in Goodness Spent :
Past
exhibition
Overview
Cat Spilmann
My Hands Were Shaking
emulsion paint and crayon on canvas
100 x 80 cm (39.37 x 31.49 in)
2024
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To view the catalogue of the show please click here.
Poetic reflections on Cat Spilman's painting
It’s the direction. And I’m curious to follow, just like the needle of the record player, I feel the groove.
It’s the presence. I’ve been there before and I wasn’t.
Standing in the doorway of an old brick house, looking at the vanishing monochrome graffiti.
Last night I dreamt sliding through the rings of Saturn. Sudden turn with no gravity pull. They say it’s cool to go through Milky Way faster than the speed of light, but I don’t like the air mask. I like stone washed black cotton.
Exit delays. Echoes. Utopian megapolis highways. They call it orbital mechanics. “Typical celestial objects. Just zoom out and you see the bigger picture” - they say.
Aren’t those black holes aligned?
I lay down and watch a slow motion moth fly over the light bulb. And we’re too, move in response to the presence of light.
Dima Zorkov, 2024
To view the catalogue of the show please click here.
Poetic reflections on Cat Spilman's painting
It’s the direction. And I’m curious to follow, just like the needle of the record player, I feel the groove.
It’s the presence. I’ve been there before and I wasn’t.
Standing in the doorway of an old brick house, looking at the vanishing monochrome graffiti.
Last night I dreamt sliding through the rings of Saturn. Sudden turn with no gravity pull. They say it’s cool to go through Milky Way faster than the speed of light, but I don’t like the air mask. I like stone washed black cotton.
Exit delays. Echoes. Utopian megapolis highways. They call it orbital mechanics. “Typical celestial objects. Just zoom out and you see the bigger picture” - they say.
Aren’t those black holes aligned?
I lay down and watch a slow motion moth fly over the light bulb. And we’re too, move in response to the presence of light.
Dima Zorkov, 2024
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